Accessible Performances

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Sponsored by Ipswich Building Society.

Widow Twankey’s in a spin – there’s the Emperor’s robes to be cleaned, stir fry to be cooked and the mysterious magician, Abanazer, to be catered for. Then her eldest son Aladdin falls for Princess Fire Cracker, the Emperor’s daughter, and she nearly chokes on her chop suey. But when Aladdin and his pet monkey, Cuddles, get their hands on an ancient oil lamp, a rocking green Genie magically appears to make all their dreams come true. Can they outwit the evil Abanazer, dodge the Emperor’s dragons, and prove that a Princess and a peasant can make the perfect pair?

This ancient tale gets a brand new twist, incorporating over twenty classic songs including I’m A Believer, Papa Don’t Preach, ABC, I Will Survive and Highway to Hell, all played live by our multi talented company of actor-musicians. Mix in outrageous jokes and classic slapstick, with some wicked magic, and Aladdin serves up a sizzling hot feast for all the family.


If you're going to be using our pre-recorded Audio Description service please be sure to pre-book your headset with our Box Office Team 24 hours in advance and collect 30 mins before the show.

Please note, the one and only late night special is Fri 20 Dec at 9pm.

Full performance details

A few more details ...

Sponsored by Ipswich Building Society.

Widow Twankey’s in a spin – there’s the Emperor’s robes to be cleaned, stir fry to be cooked and the mysterious magician, Abanazer, to be catered for. Then her eldest son Aladdin falls for Princess Fire Cracker, the Emperor’s daughter, and she nearly chokes on her chop suey. But when Aladdin and his pet monkey, Cuddles, get their hands on an ancient oil lamp, a rocking green Genie magically appears to make all their dreams come true. Can they outwit the evil Abanazer, dodge the Emperor’s dragons, and prove that a Princess and a peasant can make the perfect pair?

This ancient tale gets a brand new twist, incorporating over twenty classic songs including I’m A Believer, Papa Don’t Preach, ABC, I Will Survive and Highway to Hell, all played live by our multi talented company of actor-musicians. Mix in outrageous jokes and classic slapstick, with some wicked magic, and Aladdin serves up a sizzling hot feast for all the family.


If you're going to be using our pre-recorded Audio Description service please be sure to pre-book your headset with our Box Office Team 24 hours in advance and collect 30 mins before the show.

Please note, the one and only late night special is Fri 20 Dec at 9pm.

Full performance details

A few more details ...

Sponsored by Ipswich Building Society.

Widow Twankey’s in a spin – there’s the Emperor’s robes to be cleaned, stir fry to be cooked and the mysterious magician, Abanazer, to be catered for. Then her eldest son Aladdin falls for Princess Fire Cracker, the Emperor’s daughter, and she nearly chokes on her chop suey. But when Aladdin and his pet monkey, Cuddles, get their hands on an ancient oil lamp, a rocking green Genie magically appears to make all their dreams come true. Can they outwit the evil Abanazer, dodge the Emperor’s dragons, and prove that a Princess and a peasant can make the perfect pair?

This ancient tale gets a brand new twist, incorporating over twenty classic songs including I’m A Believer, Papa Don’t Preach, ABC, I Will Survive and Highway to Hell, all played live by our multi talented company of actor-musicians. Mix in outrageous jokes and classic slapstick, with some wicked magic, and Aladdin serves up a sizzling hot feast for all the family.


If you're going to be using our pre-recorded Audio Description service please be sure to pre-book your headset with our Box Office Team 24 hours in advance and collect 30 mins before the show.

Please note, the one and only late night special is Fri 20 Dec at 9pm.

Full performance details

A few more details ...

Sponsored by Ipswich Building Society.

Widow Twankey’s in a spin – there’s the Emperor’s robes to be cleaned, stir fry to be cooked and the mysterious magician, Abanazer, to be catered for. Then her eldest son Aladdin falls for Princess Fire Cracker, the Emperor’s daughter, and she nearly chokes on her chop suey. But when Aladdin and his pet monkey, Cuddles, get their hands on an ancient oil lamp, a rocking green Genie magically appears to make all their dreams come true. Can they outwit the evil Abanazer, dodge the Emperor’s dragons, and prove that a Princess and a peasant can make the perfect pair?

This ancient tale gets a brand new twist, incorporating over twenty classic songs including I’m A Believer, Papa Don’t Preach, ABC, I Will Survive and Highway to Hell, all played live by our multi talented company of actor-musicians. Mix in outrageous jokes and classic slapstick, with some wicked magic, and Aladdin serves up a sizzling hot feast for all the family.


If you're going to be using our pre-recorded Audio Description service please be sure to pre-book your headset with our Box Office Team 24 hours in advance and collect 30 mins before the show.

Please note, the one and only late night special is Fri 20 Dec at 9pm.

Full performance details

A few more details ...

Sponsored by Ipswich Building Society.

Widow Twankey’s in a spin – there’s the Emperor’s robes to be cleaned, stir fry to be cooked and the mysterious magician, Abanazer, to be catered for. Then her eldest son Aladdin falls for Princess Fire Cracker, the Emperor’s daughter, and she nearly chokes on her chop suey. But when Aladdin and his pet monkey, Cuddles, get their hands on an ancient oil lamp, a rocking green Genie magically appears to make all their dreams come true. Can they outwit the evil Abanazer, dodge the Emperor’s dragons, and prove that a Princess and a peasant can make the perfect pair?

This ancient tale gets a brand new twist, incorporating over twenty classic songs including I’m A Believer, Papa Don’t Preach, ABC, I Will Survive and Highway to Hell, all played live by our multi talented company of actor-musicians. Mix in outrageous jokes and classic slapstick, with some wicked magic, and Aladdin serves up a sizzling hot feast for all the family.


If you're going to be using our pre-recorded Audio Description service please be sure to pre-book your headset with our Box Office Team 24 hours in advance and collect 30 mins before the show.

Please note, the one and only late night special is Fri 20 Dec at 9pm.

Full performance details

A few more details ...

Sponsored by Ipswich Building Society.

Widow Twankey’s in a spin – there’s the Emperor’s robes to be cleaned, stir fry to be cooked and the mysterious magician, Abanazer, to be catered for. Then her eldest son Aladdin falls for Princess Fire Cracker, the Emperor’s daughter, and she nearly chokes on her chop suey. But when Aladdin and his pet monkey, Cuddles, get their hands on an ancient oil lamp, a rocking green Genie magically appears to make all their dreams come true. Can they outwit the evil Abanazer, dodge the Emperor’s dragons, and prove that a Princess and a peasant can make the perfect pair?

This ancient tale gets a brand new twist, incorporating over twenty classic songs including I’m A Believer, Papa Don’t Preach, ABC, I Will Survive and Highway to Hell, all played live by our multi talented company of actor-musicians. Mix in outrageous jokes and classic slapstick, with some wicked magic, and Aladdin serves up a sizzling hot feast for all the family.


If you're going to be using our pre-recorded Audio Description service please be sure to pre-book your headset with our Box Office Team 24 hours in advance and collect 30 mins before the show.

Please note, the one and only late night special is Fri 20 Dec at 9pm.

Full performance details

A few more details ...

Sponsored by Ipswich Building Society.

Widow Twankey’s in a spin – there’s the Emperor’s robes to be cleaned, stir fry to be cooked and the mysterious magician, Abanazer, to be catered for. Then her eldest son Aladdin falls for Princess Fire Cracker, the Emperor’s daughter, and she nearly chokes on her chop suey. But when Aladdin and his pet monkey, Cuddles, get their hands on an ancient oil lamp, a rocking green Genie magically appears to make all their dreams come true. Can they outwit the evil Abanazer, dodge the Emperor’s dragons, and prove that a Princess and a peasant can make the perfect pair?

This ancient tale gets a brand new twist, incorporating over twenty classic songs including I’m A Believer, Papa Don’t Preach, ABC, I Will Survive and Highway to Hell, all played live by our multi talented company of actor-musicians. Mix in outrageous jokes and classic slapstick, with some wicked magic, and Aladdin serves up a sizzling hot feast for all the family.


If you're going to be using our pre-recorded Audio Description service please be sure to pre-book your headset with our Box Office Team 24 hours in advance and collect 30 mins before the show.

Please note, the one and only late night special is Fri 20 Dec at 9pm.

Full performance details

A few more details ...

Sponsored by Ipswich Building Society.

Widow Twankey’s in a spin – there’s the Emperor’s robes to be cleaned, stir fry to be cooked and the mysterious magician, Abanazer, to be catered for. Then her eldest son Aladdin falls for Princess Fire Cracker, the Emperor’s daughter, and she nearly chokes on her chop suey. But when Aladdin and his pet monkey, Cuddles, get their hands on an ancient oil lamp, a rocking green Genie magically appears to make all their dreams come true. Can they outwit the evil Abanazer, dodge the Emperor’s dragons, and prove that a Princess and a peasant can make the perfect pair?

This ancient tale gets a brand new twist, incorporating over twenty classic songs including I’m A Believer, Papa Don’t Preach, ABC, I Will Survive and Highway to Hell, all played live by our multi talented company of actor-musicians. Mix in outrageous jokes and classic slapstick, with some wicked magic, and Aladdin serves up a sizzling hot feast for all the family.


If you're going to be using our pre-recorded Audio Description service please be sure to pre-book your headset with our Box Office Team 24 hours in advance and collect 30 mins before the show.

Please note, the one and only late night special is Fri 20 Dec at 9pm.

Full performance details

A few more details ...

Sponsored by Ipswich Building Society.

Widow Twankey’s in a spin – there’s the Emperor’s robes to be cleaned, stir fry to be cooked and the mysterious magician, Abanazer, to be catered for. Then her eldest son Aladdin falls for Princess Fire Cracker, the Emperor’s daughter, and she nearly chokes on her chop suey. But when Aladdin and his pet monkey, Cuddles, get their hands on an ancient oil lamp, a rocking green Genie magically appears to make all their dreams come true. Can they outwit the evil Abanazer, dodge the Emperor’s dragons, and prove that a Princess and a peasant can make the perfect pair?

This ancient tale gets a brand new twist, incorporating over twenty classic songs including I’m A Believer, Papa Don’t Preach, ABC, I Will Survive and Highway to Hell, all played live by our multi talented company of actor-musicians. Mix in outrageous jokes and classic slapstick, with some wicked magic, and Aladdin serves up a sizzling hot feast for all the family.


If you're going to be using our pre-recorded Audio Description service please be sure to pre-book your headset with our Box Office Team 24 hours in advance and collect 30 mins before the show.

Please note, the one and only late night special is Fri 20 Dec at 9pm.

Full performance details

A few more details ...

Sponsored by Ipswich Building Society.

Widow Twankey’s in a spin – there’s the Emperor’s robes to be cleaned, stir fry to be cooked and the mysterious magician, Abanazer, to be catered for. Then her eldest son Aladdin falls for Princess Fire Cracker, the Emperor’s daughter, and she nearly chokes on her chop suey. But when Aladdin and his pet monkey, Cuddles, get their hands on an ancient oil lamp, a rocking green Genie magically appears to make all their dreams come true. Can they outwit the evil Abanazer, dodge the Emperor’s dragons, and prove that a Princess and a peasant can make the perfect pair?

This ancient tale gets a brand new twist, incorporating over twenty classic songs including I’m A Believer, Papa Don’t Preach, ABC, I Will Survive and Highway to Hell, all played live by our multi talented company of actor-musicians. Mix in outrageous jokes and classic slapstick, with some wicked magic, and Aladdin serves up a sizzling hot feast for all the family.


If you're going to be using our pre-recorded Audio Description service please be sure to pre-book your headset with our Box Office Team 24 hours in advance and collect 30 mins before the show.

Please note, the one and only late night special is Fri 20 Dec at 9pm.

Full performance details

A few more details ...

Sponsored by Ipswich Building Society.

Widow Twankey’s in a spin – there’s the Emperor’s robes to be cleaned, stir fry to be cooked and the mysterious magician, Abanazer, to be catered for. Then her eldest son Aladdin falls for Princess Fire Cracker, the Emperor’s daughter, and she nearly chokes on her chop suey. But when Aladdin and his pet monkey, Cuddles, get their hands on an ancient oil lamp, a rocking green Genie magically appears to make all their dreams come true. Can they outwit the evil Abanazer, dodge the Emperor’s dragons, and prove that a Princess and a peasant can make the perfect pair?

This ancient tale gets a brand new twist, incorporating over twenty classic songs including I’m A Believer, Papa Don’t Preach, ABC, I Will Survive and Highway to Hell, all played live by our multi talented company of actor-musicians. Mix in outrageous jokes and classic slapstick, with some wicked magic, and Aladdin serves up a sizzling hot feast for all the family.


If you're going to be using our pre-recorded Audio Description service please be sure to pre-book your headset with our Box Office Team 24 hours in advance and collect 30 mins before the show.

Please note, the one and only late night special is Fri 20 Dec at 9pm.

Full performance details

A few more details ...

Sponsored by Ipswich Building Society.

Widow Twankey’s in a spin – there’s the Emperor’s robes to be cleaned, stir fry to be cooked and the mysterious magician, Abanazer, to be catered for. Then her eldest son Aladdin falls for Princess Fire Cracker, the Emperor’s daughter, and she nearly chokes on her chop suey. But when Aladdin and his pet monkey, Cuddles, get their hands on an ancient oil lamp, a rocking green Genie magically appears to make all their dreams come true. Can they outwit the evil Abanazer, dodge the Emperor’s dragons, and prove that a Princess and a peasant can make the perfect pair?

This ancient tale gets a brand new twist, incorporating over twenty classic songs including I’m A Believer, Papa Don’t Preach, ABC, I Will Survive and Highway to Hell, all played live by our multi talented company of actor-musicians. Mix in outrageous jokes and classic slapstick, with some wicked magic, and Aladdin serves up a sizzling hot feast for all the family.


If you're going to be using our pre-recorded Audio Description service please be sure to pre-book your headset with our Box Office Team 24 hours in advance and collect 30 mins before the show.

Please note, the one and only late night special is Fri 20 Dec at 9pm.

Full performance details

A few more details ...

Sponsored by Ipswich Building Society.

Widow Twankey’s in a spin – there’s the Emperor’s robes to be cleaned, stir fry to be cooked and the mysterious magician, Abanazer, to be catered for. Then her eldest son Aladdin falls for Princess Fire Cracker, the Emperor’s daughter, and she nearly chokes on her chop suey. But when Aladdin and his pet monkey, Cuddles, get their hands on an ancient oil lamp, a rocking green Genie magically appears to make all their dreams come true. Can they outwit the evil Abanazer, dodge the Emperor’s dragons, and prove that a Princess and a peasant can make the perfect pair?

This ancient tale gets a brand new twist, incorporating over twenty classic songs including I’m A Believer, Papa Don’t Preach, ABC, I Will Survive and Highway to Hell, all played live by our multi talented company of actor-musicians. Mix in outrageous jokes and classic slapstick, with some wicked magic, and Aladdin serves up a sizzling hot feast for all the family.


If you're going to be using our pre-recorded Audio Description service please be sure to pre-book your headset with our Box Office Team 24 hours in advance and collect 30 mins before the show.

Please note, the one and only late night special is Fri 20 Dec at 9pm.

Full performance details

A few more details ...

Sponsored by Ipswich Building Society.

Widow Twankey’s in a spin – there’s the Emperor’s robes to be cleaned, stir fry to be cooked and the mysterious magician, Abanazer, to be catered for. Then her eldest son Aladdin falls for Princess Fire Cracker, the Emperor’s daughter, and she nearly chokes on her chop suey. But when Aladdin and his pet monkey, Cuddles, get their hands on an ancient oil lamp, a rocking green Genie magically appears to make all their dreams come true. Can they outwit the evil Abanazer, dodge the Emperor’s dragons, and prove that a Princess and a peasant can make the perfect pair?

This ancient tale gets a brand new twist, incorporating over twenty classic songs including I’m A Believer, Papa Don’t Preach, ABC, I Will Survive and Highway to Hell, all played live by our multi talented company of actor-musicians. Mix in outrageous jokes and classic slapstick, with some wicked magic, and Aladdin serves up a sizzling hot feast for all the family.


If you're going to be using our pre-recorded Audio Description service please be sure to pre-book your headset with our Box Office Team 24 hours in advance and collect 30 mins before the show.

Please note, the one and only late night special is Fri 20 Dec at 9pm.

Full performance details

A few more details ...

Sponsored by Ipswich Building Society.

Widow Twankey’s in a spin – there’s the Emperor’s robes to be cleaned, stir fry to be cooked and the mysterious magician, Abanazer, to be catered for. Then her eldest son Aladdin falls for Princess Fire Cracker, the Emperor’s daughter, and she nearly chokes on her chop suey. But when Aladdin and his pet monkey, Cuddles, get their hands on an ancient oil lamp, a rocking green Genie magically appears to make all their dreams come true. Can they outwit the evil Abanazer, dodge the Emperor’s dragons, and prove that a Princess and a peasant can make the perfect pair?

This ancient tale gets a brand new twist, incorporating over twenty classic songs including I’m A Believer, Papa Don’t Preach, ABC, I Will Survive and Highway to Hell, all played live by our multi talented company of actor-musicians. Mix in outrageous jokes and classic slapstick, with some wicked magic, and Aladdin serves up a sizzling hot feast for all the family.


If you're going to be using our pre-recorded Audio Description service please be sure to pre-book your headset with our Box Office Team 24 hours in advance and collect 30 mins before the show.

Please note, the one and only late night special is Fri 20 Dec at 9pm.

Full performance details

A few more details ...

Sponsored by Ipswich Building Society.

Widow Twankey’s in a spin – there’s the Emperor’s robes to be cleaned, stir fry to be cooked and the mysterious magician, Abanazer, to be catered for. Then her eldest son Aladdin falls for Princess Fire Cracker, the Emperor’s daughter, and she nearly chokes on her chop suey. But when Aladdin and his pet monkey, Cuddles, get their hands on an ancient oil lamp, a rocking green Genie magically appears to make all their dreams come true. Can they outwit the evil Abanazer, dodge the Emperor’s dragons, and prove that a Princess and a peasant can make the perfect pair?

This ancient tale gets a brand new twist, incorporating over twenty classic songs including I’m A Believer, Papa Don’t Preach, ABC, I Will Survive and Highway to Hell, all played live by our multi talented company of actor-musicians. Mix in outrageous jokes and classic slapstick, with some wicked magic, and Aladdin serves up a sizzling hot feast for all the family.


If you're going to be using our pre-recorded Audio Description service please be sure to pre-book your headset with our Box Office Team 24 hours in advance and collect 30 mins before the show.

Please note, the one and only late night special is Fri 20 Dec at 9pm.

Full performance details

A few more details ...

Sponsored by Ipswich Building Society.

Widow Twankey’s in a spin – there’s the Emperor’s robes to be cleaned, stir fry to be cooked and the mysterious magician, Abanazer, to be catered for. Then her eldest son Aladdin falls for Princess Fire Cracker, the Emperor’s daughter, and she nearly chokes on her chop suey. But when Aladdin and his pet monkey, Cuddles, get their hands on an ancient oil lamp, a rocking green Genie magically appears to make all their dreams come true. Can they outwit the evil Abanazer, dodge the Emperor’s dragons, and prove that a Princess and a peasant can make the perfect pair?

This ancient tale gets a brand new twist, incorporating over twenty classic songs including I’m A Believer, Papa Don’t Preach, ABC, I Will Survive and Highway to Hell, all played live by our multi talented company of actor-musicians. Mix in outrageous jokes and classic slapstick, with some wicked magic, and Aladdin serves up a sizzling hot feast for all the family.


If you're going to be using our pre-recorded Audio Description service please be sure to pre-book your headset with our Box Office Team 24 hours in advance and collect 30 mins before the show.

Please note, the one and only late night special is Fri 20 Dec at 9pm.

Full performance details

A few more details ...

Sponsored by Ipswich Building Society.

Widow Twankey’s in a spin – there’s the Emperor’s robes to be cleaned, stir fry to be cooked and the mysterious magician, Abanazer, to be catered for. Then her eldest son Aladdin falls for Princess Fire Cracker, the Emperor’s daughter, and she nearly chokes on her chop suey. But when Aladdin and his pet monkey, Cuddles, get their hands on an ancient oil lamp, a rocking green Genie magically appears to make all their dreams come true. Can they outwit the evil Abanazer, dodge the Emperor’s dragons, and prove that a Princess and a peasant can make the perfect pair?

This ancient tale gets a brand new twist, incorporating over twenty classic songs including I’m A Believer, Papa Don’t Preach, ABC, I Will Survive and Highway to Hell, all played live by our multi talented company of actor-musicians. Mix in outrageous jokes and classic slapstick, with some wicked magic, and Aladdin serves up a sizzling hot feast for all the family.


If you're going to be using our pre-recorded Audio Description service please be sure to pre-book your headset with our Box Office Team 24 hours in advance and collect 30 mins before the show.

Please note, the one and only late night special is Fri 20 Dec at 9pm.

Full performance details

A few more details ...

Sponsored by Ipswich Building Society.

Widow Twankey’s in a spin – there’s the Emperor’s robes to be cleaned, stir fry to be cooked and the mysterious magician, Abanazer, to be catered for. Then her eldest son Aladdin falls for Princess Fire Cracker, the Emperor’s daughter, and she nearly chokes on her chop suey. But when Aladdin and his pet monkey, Cuddles, get their hands on an ancient oil lamp, a rocking green Genie magically appears to make all their dreams come true. Can they outwit the evil Abanazer, dodge the Emperor’s dragons, and prove that a Princess and a peasant can make the perfect pair?

This ancient tale gets a brand new twist, incorporating over twenty classic songs including I’m A Believer, Papa Don’t Preach, ABC, I Will Survive and Highway to Hell, all played live by our multi talented company of actor-musicians. Mix in outrageous jokes and classic slapstick, with some wicked magic, and Aladdin serves up a sizzling hot feast for all the family.


If you're going to be using our pre-recorded Audio Description service please be sure to pre-book your headset with our Box Office Team 24 hours in advance and collect 30 mins before the show.

Please note, the one and only late night special is Fri 20 Dec at 9pm.

Full performance details

A few more details ...

Sponsored by Ipswich Building Society.

Widow Twankey’s in a spin – there’s the Emperor’s robes to be cleaned, stir fry to be cooked and the mysterious magician, Abanazer, to be catered for. Then her eldest son Aladdin falls for Princess Fire Cracker, the Emperor’s daughter, and she nearly chokes on her chop suey. But when Aladdin and his pet monkey, Cuddles, get their hands on an ancient oil lamp, a rocking green Genie magically appears to make all their dreams come true. Can they outwit the evil Abanazer, dodge the Emperor’s dragons, and prove that a Princess and a peasant can make the perfect pair?

This ancient tale gets a brand new twist, incorporating over twenty classic songs including I’m A Believer, Papa Don’t Preach, ABC, I Will Survive and Highway to Hell, all played live by our multi talented company of actor-musicians. Mix in outrageous jokes and classic slapstick, with some wicked magic, and Aladdin serves up a sizzling hot feast for all the family.


If you're going to be using our pre-recorded Audio Description service please be sure to pre-book your headset with our Box Office Team 24 hours in advance and collect 30 mins before the show.

Please note, the one and only late night special is Fri 20 Dec at 9pm.

Full performance details

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‘You are always your Mother’s child, my Mother used to say’

A moving and funny exploration of the lives of four generations of women in one family. Shifting back and forth in time, we see their loves, expecta-tions and choices play out against huge social change from 1900-1980s

Presented in British Sign Language and spoken English and featuring a cast of 1 hearing and 3 d/Deaf actors, this production’s visual, physical storytelling captures the rich breadth of communication styles that have always been used by the d/Deaf community

Full performance details

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‘You are always your Mother’s child, my Mother used to say’

A moving and funny exploration of the lives of four generations of women in one family. Shifting back and forth in time, we see their loves, expecta-tions and choices play out against huge social change from 1900-1980s

Presented in British Sign Language and spoken English and featuring a cast of 1 hearing and 3 d/Deaf actors, this production’s visual, physical storytelling captures the rich breadth of communication styles that have always been used by the d/Deaf community

Full performance details

A few more details ...

‘You are always your Mother’s child, my Mother used to say’

A moving and funny exploration of the lives of four generations of women in one family. Shifting back and forth in time, we see their loves, expecta-tions and choices play out against huge social change from 1900-1980s

Presented in British Sign Language and spoken English and featuring a cast of 1 hearing and 3 d/Deaf actors, this production’s visual, physical storytelling captures the rich breadth of communication styles that have always been used by the d/Deaf community

Full performance details

A few more details ...

Meet Daisy. She's got a messy brain and a messy bedroom. No matter what she does, "The Mess" just seems to follow her about! Which makes it very difficult to look for stuff. Important stuff. Like Mr Twiggy!

When Daisy is chosen to look after Mr Twiggy the class hamster, Daisy (and the rest of her class) worry she might lose him. So she’s very glad when best friend Beth decides to stay over to lend a hand. In fact, Beth, Daisy and Mr Twiggy are going to have the best weekend ever! But things don’t quite go to plan...

Can Daisy use the adventures of "The Mess" to find Mr Twiggy and prove everyone wrong?

Multi-award winning Zoo Co present this magical and visual story complete with original music, puppets, tap dancing and even a trip to the moon! All the while celebrating the stories that explode from "The Mess".

Performed by a Deaf and hearing cast with Sign Supported English, Messy has been created in partnership with ADHD Foundation and all performances are Relaxed Performances, which means if you need to stand up, sit down, wriggle around, leave or come back in, that’s absolutely fine! There aren't any loud noises and the lights will stay on in the theatre so it won’t be too dark.

Don't forget to book into the Messy workshop too! Please see the link below.

Full performance details

A few more details ...

Meet Daisy. She's got a messy brain and a messy bedroom. No matter what she does, "The Mess" just seems to follow her about! Which makes it very difficult to look for stuff. Important stuff. Like Mr Twiggy!

When Daisy is chosen to look after Mr Twiggy the class hamster, Daisy (and the rest of her class) worry she might lose him. So she’s very glad when best friend Beth decides to stay over to lend a hand. In fact, Beth, Daisy and Mr Twiggy are going to have the best weekend ever! But things don’t quite go to plan...

Can Daisy use the adventures of "The Mess" to find Mr Twiggy and prove everyone wrong?

Multi-award winning Zoo Co present this magical and visual story complete with original music, puppets, tap dancing and even a trip to the moon! All the while celebrating the stories that explode from "The Mess".

Performed by a Deaf and hearing cast with Sign Supported English, Messy has been created in partnership with ADHD Foundation and all performances are Relaxed Performances, which means if you need to stand up, sit down, wriggle around, leave or come back in, that’s absolutely fine! There aren't any loud noises and the lights will stay on in the theatre so it won’t be too dark.

Don't forget to book into the Messy workshop too! Please see the link below.

Full performance details

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“A dynamic acrobatic show with themes familiar to us all – from the highs and lows of sibling rivalry, to the rewards of working together and staying grounded.”

Featuring impressive hand-balancing, playful acrobatics and a mysterious box of tricks, BOX offers a humorous and uplifting tale about sibling connection, competition and compassion. Based on, in, atop and around a custom-built Cube that expands over the course of the show, BOX explores that special space (sometimes stiffing, often challenging) that siblings share, play, care and grow in. Negotiating this world, our brother and sister use their imagination, skills and showmanship to vie for the attentions of the audience, only to learn that real success is found somewhat closer to home.

Age recommendation 4+

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If you’re 3 or 4 years old and love silly stories and tremendous tales then you’ve got to come and meet the Storymaker at the New Wolsey Theatre.

Mums, Dads, Grans, Grandads, big brothers and big sisters should come too, they can look after you and pick up some tips along the way.

Storymaker takes place in the upstairs foyer of the theatre where the children sit on cushions around the Storymaker chair.

Storymaker Sessions on Saturday 22nd February and Saturday 21st March are BSL Interpreted.

NOTE: You only need to book tickets for children.

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If you’re 5 or 6 you can leave your family downstairs in the New Wolsey Café Bar and come upstairs to meet the Storymaker yourself for an amazing adventure, or an exciting escapade.

Mums, Dads, Grans, Grandads, siblings can come too, but they’ll have to join in with the fun.

Storymaker takes place in the upstairs foyer of the theatre where the children sit on cushions around the Storymaker chair.

Storymaker Sessions on Saturday 22nd February and Saturday 21st March are BSL Interpreted.

NOTE: You only need to book tickets for children.

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A Broadway and West End hit musical that's a ravishing love story with a bittersweet difference, Once casts a spell over the audience just as its two lead characters cast a spell over each other.

Based on a cult 2006 Irish indie feature, originally shot on a micro-budget of just $160,000, it tells the uplifting yet yearning story of a part-time Dublin guitarist busker (who works by day in his dad's Hoover repair shop) who falls unexpectedly in love with a young Czech immigrant fellow musician. As we follow their relationship across five short days, big changes happen to both of them in little ways.

As conjured by a score of original Irish-inflected songs, written by the original stars of the film Glen Hansard and Markéta Irglová, the atmosphere is partly a busked concert and partly an aching romance that feels both spontaneous and freshly minted. The music, played live by the actors themselves, is alternately beautiful and rousing, and Enda Walsh's script quietly overwhelms with its sense of spirit, sincerity and solitude.

There's no other show quite like it. It's the most unusual, unique and affecting musical you're ever likely to see. It has a spontaneous free-form improvisatory vitality, yet it is also emotionally precise in the understated air of longing that anyone who has ever been in love will recognise instantly.

And audiences will fall head over heels in love with the show, too. Once is a genuine one-off which you'll need to see at least once -- but it's also unlikely to be your last time, as you'll want to see it again (and again).

Full performance details

A few more details ...

A Broadway and West End hit musical that's a ravishing love story with a bittersweet difference, Once casts a spell over the audience just as its two lead characters cast a spell over each other.

Based on a cult 2006 Irish indie feature, originally shot on a micro-budget of just $160,000, it tells the uplifting yet yearning story of a part-time Dublin guitarist busker (who works by day in his dad's Hoover repair shop) who falls unexpectedly in love with a young Czech immigrant fellow musician. As we follow their relationship across five short days, big changes happen to both of them in little ways.

As conjured by a score of original Irish-inflected songs, written by the original stars of the film Glen Hansard and Markéta Irglová, the atmosphere is partly a busked concert and partly an aching romance that feels both spontaneous and freshly minted. The music, played live by the actors themselves, is alternately beautiful and rousing, and Enda Walsh's script quietly overwhelms with its sense of spirit, sincerity and solitude.

There's no other show quite like it. It's the most unusual, unique and affecting musical you're ever likely to see. It has a spontaneous free-form improvisatory vitality, yet it is also emotionally precise in the understated air of longing that anyone who has ever been in love will recognise instantly.

And audiences will fall head over heels in love with the show, too. Once is a genuine one-off which you'll need to see at least once -- but it's also unlikely to be your last time, as you'll want to see it again (and again).

Full performance details

A few more details ...

A Broadway and West End hit musical that's a ravishing love story with a bittersweet difference, Once casts a spell over the audience just as its two lead characters cast a spell over each other.

Based on a cult 2006 Irish indie feature, originally shot on a micro-budget of just $160,000, it tells the uplifting yet yearning story of a part-time Dublin guitarist busker (who works by day in his dad's Hoover repair shop) who falls unexpectedly in love with a young Czech immigrant fellow musician. As we follow their relationship across five short days, big changes happen to both of them in little ways.

As conjured by a score of original Irish-inflected songs, written by the original stars of the film Glen Hansard and Markéta Irglová, the atmosphere is partly a busked concert and partly an aching romance that feels both spontaneous and freshly minted. The music, played live by the actors themselves, is alternately beautiful and rousing, and Enda Walsh's script quietly overwhelms with its sense of spirit, sincerity and solitude.

There's no other show quite like it. It's the most unusual, unique and affecting musical you're ever likely to see. It has a spontaneous free-form improvisatory vitality, yet it is also emotionally precise in the understated air of longing that anyone who has ever been in love will recognise instantly.

And audiences will fall head over heels in love with the show, too. Once is a genuine one-off which you'll need to see at least once -- but it's also unlikely to be your last time, as you'll want to see it again (and again).

Full performance details

A few more details ...

A Broadway and West End hit musical that's a ravishing love story with a bittersweet difference, Once casts a spell over the audience just as its two lead characters cast a spell over each other.

Based on a cult 2006 Irish indie feature, originally shot on a micro-budget of just $160,000, it tells the uplifting yet yearning story of a part-time Dublin guitarist busker (who works by day in his dad's Hoover repair shop) who falls unexpectedly in love with a young Czech immigrant fellow musician. As we follow their relationship across five short days, big changes happen to both of them in little ways.

As conjured by a score of original Irish-inflected songs, written by the original stars of the film Glen Hansard and Markéta Irglová, the atmosphere is partly a busked concert and partly an aching romance that feels both spontaneous and freshly minted. The music, played live by the actors themselves, is alternately beautiful and rousing, and Enda Walsh's script quietly overwhelms with its sense of spirit, sincerity and solitude.

There's no other show quite like it. It's the most unusual, unique and affecting musical you're ever likely to see. It has a spontaneous free-form improvisatory vitality, yet it is also emotionally precise in the understated air of longing that anyone who has ever been in love will recognise instantly.

And audiences will fall head over heels in love with the show, too. Once is a genuine one-off which you'll need to see at least once -- but it's also unlikely to be your last time, as you'll want to see it again (and again).

Full performance details

A few more details ...

A Broadway and West End hit musical that's a ravishing love story with a bittersweet difference, Once casts a spell over the audience just as its two lead characters cast a spell over each other.

Based on a cult 2006 Irish indie feature, originally shot on a micro-budget of just $160,000, it tells the uplifting yet yearning story of a part-time Dublin guitarist busker (who works by day in his dad's Hoover repair shop) who falls unexpectedly in love with a young Czech immigrant fellow musician. As we follow their relationship across five short days, big changes happen to both of them in little ways.

As conjured by a score of original Irish-inflected songs, written by the original stars of the film Glen Hansard and Markéta Irglová, the atmosphere is partly a busked concert and partly an aching romance that feels both spontaneous and freshly minted. The music, played live by the actors themselves, is alternately beautiful and rousing, and Enda Walsh's script quietly overwhelms with its sense of spirit, sincerity and solitude.

There's no other show quite like it. It's the most unusual, unique and affecting musical you're ever likely to see. It has a spontaneous free-form improvisatory vitality, yet it is also emotionally precise in the understated air of longing that anyone who has ever been in love will recognise instantly.

And audiences will fall head over heels in love with the show, too. Once is a genuine one-off which you'll need to see at least once -- but it's also unlikely to be your last time, as you'll want to see it again (and again).

Full performance details

A few more details ...

A Broadway and West End hit musical that's a ravishing love story with a bittersweet difference, Once casts a spell over the audience just as its two lead characters cast a spell over each other.

Based on a cult 2006 Irish indie feature, originally shot on a micro-budget of just $160,000, it tells the uplifting yet yearning story of a part-time Dublin guitarist busker (who works by day in his dad's Hoover repair shop) who falls unexpectedly in love with a young Czech immigrant fellow musician. As we follow their relationship across five short days, big changes happen to both of them in little ways.

As conjured by a score of original Irish-inflected songs, written by the original stars of the film Glen Hansard and Markéta Irglová, the atmosphere is partly a busked concert and partly an aching romance that feels both spontaneous and freshly minted. The music, played live by the actors themselves, is alternately beautiful and rousing, and Enda Walsh's script quietly overwhelms with its sense of spirit, sincerity and solitude.

There's no other show quite like it. It's the most unusual, unique and affecting musical you're ever likely to see. It has a spontaneous free-form improvisatory vitality, yet it is also emotionally precise in the understated air of longing that anyone who has ever been in love will recognise instantly.

And audiences will fall head over heels in love with the show, too. Once is a genuine one-off which you'll need to see at least once -- but it's also unlikely to be your last time, as you'll want to see it again (and again).

Full performance details

A few more details ...

A Broadway and West End hit musical that's a ravishing love story with a bittersweet difference, Once casts a spell over the audience just as its two lead characters cast a spell over each other.

Based on a cult 2006 Irish indie feature, originally shot on a micro-budget of just $160,000, it tells the uplifting yet yearning story of a part-time Dublin guitarist busker (who works by day in his dad's Hoover repair shop) who falls unexpectedly in love with a young Czech immigrant fellow musician. As we follow their relationship across five short days, big changes happen to both of them in little ways.

As conjured by a score of original Irish-inflected songs, written by the original stars of the film Glen Hansard and Markéta Irglová, the atmosphere is partly a busked concert and partly an aching romance that feels both spontaneous and freshly minted. The music, played live by the actors themselves, is alternately beautiful and rousing, and Enda Walsh's script quietly overwhelms with its sense of spirit, sincerity and solitude.

There's no other show quite like it. It's the most unusual, unique and affecting musical you're ever likely to see. It has a spontaneous free-form improvisatory vitality, yet it is also emotionally precise in the understated air of longing that anyone who has ever been in love will recognise instantly.

And audiences will fall head over heels in love with the show, too. Once is a genuine one-off which you'll need to see at least once -- but it's also unlikely to be your last time, as you'll want to see it again (and again).

Full performance details

A few more details ...

A Broadway and West End hit musical that's a ravishing love story with a bittersweet difference, Once casts a spell over the audience just as its two lead characters cast a spell over each other.

Based on a cult 2006 Irish indie feature, originally shot on a micro-budget of just $160,000, it tells the uplifting yet yearning story of a part-time Dublin guitarist busker (who works by day in his dad's Hoover repair shop) who falls unexpectedly in love with a young Czech immigrant fellow musician. As we follow their relationship across five short days, big changes happen to both of them in little ways.

As conjured by a score of original Irish-inflected songs, written by the original stars of the film Glen Hansard and Markéta Irglová, the atmosphere is partly a busked concert and partly an aching romance that feels both spontaneous and freshly minted. The music, played live by the actors themselves, is alternately beautiful and rousing, and Enda Walsh's script quietly overwhelms with its sense of spirit, sincerity and solitude.

There's no other show quite like it. It's the most unusual, unique and affecting musical you're ever likely to see. It has a spontaneous free-form improvisatory vitality, yet it is also emotionally precise in the understated air of longing that anyone who has ever been in love will recognise instantly.

And audiences will fall head over heels in love with the show, too. Once is a genuine one-off which you'll need to see at least once -- but it's also unlikely to be your last time, as you'll want to see it again (and again).

Full performance details

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A Gecko and Mind the Gap co-production

What does it mean to you to have a little space?
A little space where we can escape the world and be ourselves. Where we can say whatever we want, do whatever we feel and where no-one will ever bother us.
But it can be an unpredictable space too, where voices are funnelled away, fears leak through the floorboards, songs light up the room and you never know who’s listening behind the door.
A place where whispers come to life and one kind gesture could change everything.

A little space has been commissioned by HOME, Manchester and The Place, London.

Following on from the international success of The Dreamer (2016), Gecko’s second Associate Show, A Little Space combines their unique blend of theatre, choreography and stunning imagery with incredible performers from Mind the Gap, one of Europe’s leading learning disability theatre companies.

Mind the Gap’s Charli Ward and Karen Bartholomew team up with Gecko Devising Performer Dan Watson, Associate Directors Rich Rusk and Helen Baggett, Designer Rhys Jarman, Lighting Designer Chris Swain and Composer Dave Price, who, between them have worked on all of Gecko’s hit shows since 2001, to create this intricately crafted performance.

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By William Shakespeare

Shakespeare’s darkest and spookiest thriller

Battles. Murder. Ghosts. And desire…

Three witches on a heath have a disturbing prophecy for a victorious warrior. Macbeth will be king of Scotland. As this wicked seed is planted, daring Macbeth and his determined wife Lady Macbeth draw bloody draggers and set out on a fateful path.
But seizing the crown comes at a terrible price, as guilt grows, enemies draw close and the fight for survival hurtles towards a tragic conclusion…

This epic and intensely terrifying period version of Shakespeare’s most regal and timeless classic warns of the effects of political ambition on those who seek power for its own sake.

Directed by Douglas Rintoul, following his acclaimed productions of ‘Much Ado About Nothing’ and UK tour of ‘The Crucible’ – “serious theatre, seriously done” (The Stage) – and after this Summer’s highlight adaptation of ‘As You Like It’: a Queen’s Theatre Hornchurch partnership with the National Theatre.

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If you’re 3 or 4 years old and love silly stories and tremendous tales then you’ve got to come and meet the Storymaker at the New Wolsey Theatre.

Mums, Dads, Grans, Grandads, big brothers and big sisters should come too, they can look after you and pick up some tips along the way.

Storymaker takes place in the upstairs foyer of the theatre where the children sit on cushions around the Storymaker chair.

Storymaker Sessions on Saturday 22nd February and Saturday 21st March are BSL Interpreted.

NOTE: You only need to book tickets for children.

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If you’re 5 or 6 you can leave your family downstairs in the New Wolsey Café Bar and come upstairs to meet the Storymaker yourself for an amazing adventure, or an exciting escapade.

Mums, Dads, Grans, Grandads, siblings can come too, but they’ll have to join in with the fun.

Storymaker takes place in the upstairs foyer of the theatre where the children sit on cushions around the Storymaker chair.

Storymaker Sessions on Saturday 22nd February and Saturday 21st March are BSL Interpreted.

NOTE: You only need to book tickets for children.

Full performance details

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A new play by Bryony Lavery
Adapted from the novel by Charles Dickens
Directed by Amy Leach

Born into poverty and misfortune, Oliver Twist escapes the workhouse for a life of adventure where he joins Artful Dodger, Fagin and their mischievous gang of pick pockets. But the enjoyment is short lived as he falls under the influence of the vicious Bill Sykes.

This bold, brutal and beautiful new version of Oliver Twist sends you on a dark adventure through the twisted streets of London. Adapted by award-winning playwright Bryony Lavery, every performance of Oliver Twist will feature the use of integrated creative sign language, audio description and captioning.

Oliver Twist is in association with Ramps On The Moon. Now in its fourth year, this pioneering initiative from seven major UK theatre companies is committed to putting D/deaf and disabled artists and audiences at the centre of their work.

Age Guidance: 12+

Full performance details

A few more details ...

A new play by Bryony Lavery
Adapted from the novel by Charles Dickens
Directed by Amy Leach

Born into poverty and misfortune, Oliver Twist escapes the workhouse for a life of adventure where he joins Artful Dodger, Fagin and their mischievous gang of pick pockets. But the enjoyment is short lived as he falls under the influence of the vicious Bill Sykes.

This bold, brutal and beautiful new version of Oliver Twist sends you on a dark adventure through the twisted streets of London. Adapted by award-winning playwright Bryony Lavery, every performance of Oliver Twist will feature the use of integrated creative sign language, audio description and captioning.

Oliver Twist is in association with Ramps On The Moon. Now in its fourth year, this pioneering initiative from seven major UK theatre companies is committed to putting D/deaf and disabled artists and audiences at the centre of their work.

Age Guidance: 12+

Full performance details

A few more details ...

A new play by Bryony Lavery
Adapted from the novel by Charles Dickens
Directed by Amy Leach

Born into poverty and misfortune, Oliver Twist escapes the workhouse for a life of adventure where he joins Artful Dodger, Fagin and their mischievous gang of pick pockets. But the enjoyment is short lived as he falls under the influence of the vicious Bill Sykes.

This bold, brutal and beautiful new version of Oliver Twist sends you on a dark adventure through the twisted streets of London. Adapted by award-winning playwright Bryony Lavery, every performance of Oliver Twist will feature the use of integrated creative sign language, audio description and captioning.

Oliver Twist is in association with Ramps On The Moon. Now in its fourth year, this pioneering initiative from seven major UK theatre companies is committed to putting D/deaf and disabled artists and audiences at the centre of their work.

Age Guidance: 12+

Full performance details

A few more details ...

A new play by Bryony Lavery
Adapted from the novel by Charles Dickens
Directed by Amy Leach

Born into poverty and misfortune, Oliver Twist escapes the workhouse for a life of adventure where he joins Artful Dodger, Fagin and their mischievous gang of pick pockets. But the enjoyment is short lived as he falls under the influence of the vicious Bill Sykes.

This bold, brutal and beautiful new version of Oliver Twist sends you on a dark adventure through the twisted streets of London. Adapted by award-winning playwright Bryony Lavery, every performance of Oliver Twist will feature the use of integrated creative sign language, audio description and captioning.

Oliver Twist is in association with Ramps On The Moon. Now in its fourth year, this pioneering initiative from seven major UK theatre companies is committed to putting D/deaf and disabled artists and audiences at the centre of their work.

Age Guidance: 12+

Full performance details

A few more details ...

A new play by Bryony Lavery
Adapted from the novel by Charles Dickens
Directed by Amy Leach

Born into poverty and misfortune, Oliver Twist escapes the workhouse for a life of adventure where he joins Artful Dodger, Fagin and their mischievous gang of pick pockets. But the enjoyment is short lived as he falls under the influence of the vicious Bill Sykes.

This bold, brutal and beautiful new version of Oliver Twist sends you on a dark adventure through the twisted streets of London. Adapted by award-winning playwright Bryony Lavery, every performance of Oliver Twist will feature the use of integrated creative sign language, audio description and captioning.

Oliver Twist is in association with Ramps On The Moon. Now in its fourth year, this pioneering initiative from seven major UK theatre companies is committed to putting D/deaf and disabled artists and audiences at the centre of their work.

Age Guidance: 12+

Full performance details

A few more details ...

A new play by Bryony Lavery
Adapted from the novel by Charles Dickens
Directed by Amy Leach

Born into poverty and misfortune, Oliver Twist escapes the workhouse for a life of adventure where he joins Artful Dodger, Fagin and their mischievous gang of pick pockets. But the enjoyment is short lived as he falls under the influence of the vicious Bill Sykes.

This bold, brutal and beautiful new version of Oliver Twist sends you on a dark adventure through the twisted streets of London. Adapted by award-winning playwright Bryony Lavery, every performance of Oliver Twist will feature the use of integrated creative sign language, audio description and captioning.

Oliver Twist is in association with Ramps On The Moon. Now in its fourth year, this pioneering initiative from seven major UK theatre companies is committed to putting D/deaf and disabled artists and audiences at the centre of their work.

Age Guidance: 12+

Full performance details

A few more details ...

A new play by Bryony Lavery
Adapted from the novel by Charles Dickens
Directed by Amy Leach

Born into poverty and misfortune, Oliver Twist escapes the workhouse for a life of adventure where he joins Artful Dodger, Fagin and their mischievous gang of pick pockets. But the enjoyment is short lived as he falls under the influence of the vicious Bill Sykes.

This bold, brutal and beautiful new version of Oliver Twist sends you on a dark adventure through the twisted streets of London. Adapted by award-winning playwright Bryony Lavery, every performance of Oliver Twist will feature the use of integrated creative sign language, audio description and captioning.

Oliver Twist is in association with Ramps On The Moon. Now in its fourth year, this pioneering initiative from seven major UK theatre companies is committed to putting D/deaf and disabled artists and audiences at the centre of their work.

Age Guidance: 12+

Full performance details

A few more details ...

A new play by Bryony Lavery
Adapted from the novel by Charles Dickens
Directed by Amy Leach

Born into poverty and misfortune, Oliver Twist escapes the workhouse for a life of adventure where he joins Artful Dodger, Fagin and their mischievous gang of pick pockets. But the enjoyment is short lived as he falls under the influence of the vicious Bill Sykes.

This bold, brutal and beautiful new version of Oliver Twist sends you on a dark adventure through the twisted streets of London. Adapted by award-winning playwright Bryony Lavery, every performance of Oliver Twist will feature the use of integrated creative sign language, audio description and captioning.

Oliver Twist is in association with Ramps On The Moon. Now in its fourth year, this pioneering initiative from seven major UK theatre companies is committed to putting D/deaf and disabled artists and audiences at the centre of their work.

Age Guidance: 12+

Full performance details

A few more details ...

A new play by Bryony Lavery
Adapted from the novel by Charles Dickens
Directed by Amy Leach

Born into poverty and misfortune, Oliver Twist escapes the workhouse for a life of adventure where he joins Artful Dodger, Fagin and their mischievous gang of pick pockets. But the enjoyment is short lived as he falls under the influence of the vicious Bill Sykes.

This bold, brutal and beautiful new version of Oliver Twist sends you on a dark adventure through the twisted streets of London. Adapted by award-winning playwright Bryony Lavery, every performance of Oliver Twist will feature the use of integrated creative sign language, audio description and captioning.

Oliver Twist is in association with Ramps On The Moon. Now in its fourth year, this pioneering initiative from seven major UK theatre companies is committed to putting D/deaf and disabled artists and audiences at the centre of their work.

Age Guidance: 12+

Full performance details

A few more details ...

A new play by Bryony Lavery
Adapted from the novel by Charles Dickens
Directed by Amy Leach

Born into poverty and misfortune, Oliver Twist escapes the workhouse for a life of adventure where he joins Artful Dodger, Fagin and their mischievous gang of pick pockets. But the enjoyment is short lived as he falls under the influence of the vicious Bill Sykes.

This bold, brutal and beautiful new version of Oliver Twist sends you on a dark adventure through the twisted streets of London. Adapted by award-winning playwright Bryony Lavery, every performance of Oliver Twist will feature the use of integrated creative sign language, audio description and captioning.

Oliver Twist is in association with Ramps On The Moon. Now in its fourth year, this pioneering initiative from seven major UK theatre companies is committed to putting D/deaf and disabled artists and audiences at the centre of their work.

Age Guidance: 12+

Full performance details

A few more details ...

A new play by Bryony Lavery
Adapted from the novel by Charles Dickens
Directed by Amy Leach

Born into poverty and misfortune, Oliver Twist escapes the workhouse for a life of adventure where he joins Artful Dodger, Fagin and their mischievous gang of pick pockets. But the enjoyment is short lived as he falls under the influence of the vicious Bill Sykes.

This bold, brutal and beautiful new version of Oliver Twist sends you on a dark adventure through the twisted streets of London. Adapted by award-winning playwright Bryony Lavery, every performance of Oliver Twist will feature the use of integrated creative sign language, audio description and captioning.

Oliver Twist is in association with Ramps On The Moon. Now in its fourth year, this pioneering initiative from seven major UK theatre companies is committed to putting D/deaf and disabled artists and audiences at the centre of their work.

Age Guidance: 12+

Full performance details

A few more details ...

A new play by Bryony Lavery
Adapted from the novel by Charles Dickens
Directed by Amy Leach

Born into poverty and misfortune, Oliver Twist escapes the workhouse for a life of adventure where he joins Artful Dodger, Fagin and their mischievous gang of pick pockets. But the enjoyment is short lived as he falls under the influence of the vicious Bill Sykes.

This bold, brutal and beautiful new version of Oliver Twist sends you on a dark adventure through the twisted streets of London. Adapted by award-winning playwright Bryony Lavery, every performance of Oliver Twist will feature the use of integrated creative sign language, audio description and captioning.

Oliver Twist is in association with Ramps On The Moon. Now in its fourth year, this pioneering initiative from seven major UK theatre companies is committed to putting D/deaf and disabled artists and audiences at the centre of their work.

Age Guidance: 12+

Full performance details

A few more details ...

A new play by Bryony Lavery
Adapted from the novel by Charles Dickens
Directed by Amy Leach

Born into poverty and misfortune, Oliver Twist escapes the workhouse for a life of adventure where he joins Artful Dodger, Fagin and their mischievous gang of pick pockets. But the enjoyment is short lived as he falls under the influence of the vicious Bill Sykes.

This bold, brutal and beautiful new version of Oliver Twist sends you on a dark adventure through the twisted streets of London. Adapted by award-winning playwright Bryony Lavery, every performance of Oliver Twist will feature the use of integrated creative sign language, audio description and captioning.

Oliver Twist is in association with Ramps On The Moon. Now in its fourth year, this pioneering initiative from seven major UK theatre companies is committed to putting D/deaf and disabled artists and audiences at the centre of their work.

Age Guidance: 12+

Full performance details

A few more details ...

Celebrated poet and broadcaster MURRAY LACHLAN YOUNG (Radio 4, Radio 2 and BBC 6 Music poet in residence,) stars in this thrilling new family performance perfect for audiences young and old!

After the windswept double funeral of his parents, 7-year-old Crispin (or Crispin de Quincy de Faversham Clumps to give him his full name) inherits his ancestral home – Raddlesham Mumps. He finds himself in a huge empty house with only an ancient butler for company. And when that butler, Kenilworth, begins to tell him about the bizarre and hilarious deaths of his deeply eccentric ancestors the story takes flight on darkly comic wings.

The acclaimed Raddlesham Mumps mixes compelling story telling with a brilliant musical score (by Arun Ghosh), oodles of theatricality and a touch of exquisite silliness. A ‘theatrical treat’ thats perfect for lovers of Harry Potter, Tim Burton, Lemony Snicket and The Brothers Grimm!

Age recommendation 7+

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Sam Lacey makes shoes that are out of this world. His imagination is huge but his shoe-making business is a disaster! Why would anyone buy a pair of Banana Skin slippers or spend money on shoes for a spider?! Even his neighbour Belinda can’t get him to see sense.

Then, one night, two tiny green visitors climb into his kitchen and start stitching and cutting and snipping and gluing…Sam Lacey is about to get the surprise of a lifetime!

This hilarious re-telling of the much-loved classic tale from the inescapably inventive Stuff and Nonsense is a total delight for all the family, full of wit, charm and surprising puppetry.

Stuff and Nonsense return with another treat for the whole family, following recent shows The Enormous Turnip, The Emperor’s New Clothes and last year’s extraordinarily popular The Gingerbread Man.

Suitable for all the family, from ages 3 and up

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Adapted for the stage by Leslie Darbon
Directed & designed by Michael Lunney

Middle Ground Theatre Company Ltd is delighted to present their acclaimed production of a classic Miss Marple mystery.

The residents of Chipping Cleghorn are astonished to read an advert in the local newspaper that a murder will take place this coming Friday at Little Paddocks, the home of Letitia Blacklock.

Unable to resist, the group gather at the house at the appointed time, when the lights go out and a gun is fired. Enter Miss Marple, who must unravel a complex series of relationships and events to solve the mystery of the killer...

Now in it's fifth year of touring, this lavish production has delighted packed audiences across the UK and Ireland and is brought to you by the company and director who produced the critically acclaimed courtroom thriller The Verdict.

Starring Sarah Thomas (Last Of The Summer Wine), Barbara Wilshere (The Lakes/The Paradise Club), Tom Butcher (The Bill/Doctors), Karen Drury (Brookside), Lucy Evans (Coronation Street), Tom Gibbons (The Archers) plus a full supporting cast.

“The packed audience loved every minute” LIVERPOOL ECHO

“The magic of Miss Marple - Show of the week” IRISH MAIL ON SUNDAY

“A blissful couple of hours of whodunit fun” THE SCOTSMAN

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The New Wolsey Theatre Presents
A new version by Tom Wentworth
Originally created by Jenny Wren Productions and first produced by The Watermill Theatre
Directed by Abigail Pickard Price

In the backstreets of Edinburgh in 1828 there’s a killing to be made. Scientific research Hares on apace, the surgeons are crying out for fresh bodies to dissect, and you’d need to be a right Burke not to spot a gap in the market. And it’s only a small step from robbing graves, to helping people into them…

Three versatile actors, supplied with an array of hats, a variety of disguises and an extraordinary collection of accents play the entire cast of this notorious story – living and (soon to be) dead. Music, murder and mayhem combine in Tom Wentworth’s breathless take on this infamous double act, playing fast and loose with the facts to create a full blooded evening’s entertainment which is more hysterical than historical.

A gleeful mash up of history and penny dreadful scandal, fast funny and ever so slightly sick
The Times

Pitch black and wickedly funny
The Stage

Gleefully macabre
Broadway World

Age guidance 12+ Parental discretion advised.

Full performance details

A few more details ...

The New Wolsey Theatre Presents
A new version by Tom Wentworth
Originally created by Jenny Wren Productions and first produced by The Watermill Theatre
Directed by Abigail Pickard Price

In the backstreets of Edinburgh in 1828 there’s a killing to be made. Scientific research Hares on apace, the surgeons are crying out for fresh bodies to dissect, and you’d need to be a right Burke not to spot a gap in the market. And it’s only a small step from robbing graves, to helping people into them…

Three versatile actors, supplied with an array of hats, a variety of disguises and an extraordinary collection of accents play the entire cast of this notorious story – living and (soon to be) dead. Music, murder and mayhem combine in Tom Wentworth’s breathless take on this infamous double act, playing fast and loose with the facts to create a full blooded evening’s entertainment which is more hysterical than historical.

A gleeful mash up of history and penny dreadful scandal, fast funny and ever so slightly sick
The Times

Pitch black and wickedly funny
The Stage

Gleefully macabre
Broadway World

Age guidance 12+ Parental discretion advised.

Full performance details

A few more details ...

The New Wolsey Theatre Presents
A new version by Tom Wentworth
Originally created by Jenny Wren Productions and first produced by The Watermill Theatre
Directed by Abigail Pickard Price

In the backstreets of Edinburgh in 1828 there’s a killing to be made. Scientific research Hares on apace, the surgeons are crying out for fresh bodies to dissect, and you’d need to be a right Burke not to spot a gap in the market. And it’s only a small step from robbing graves, to helping people into them…

Three versatile actors, supplied with an array of hats, a variety of disguises and an extraordinary collection of accents play the entire cast of this notorious story – living and (soon to be) dead. Music, murder and mayhem combine in Tom Wentworth’s breathless take on this infamous double act, playing fast and loose with the facts to create a full blooded evening’s entertainment which is more hysterical than historical.

A gleeful mash up of history and penny dreadful scandal, fast funny and ever so slightly sick
The Times

Pitch black and wickedly funny
The Stage

Gleefully macabre
Broadway World

Age guidance 12+ Parental discretion advised.

Full performance details

A few more details ...

The New Wolsey Theatre Presents
A new version by Tom Wentworth
Originally created by Jenny Wren Productions and first produced by The Watermill Theatre
Directed by Abigail Pickard Price

In the backstreets of Edinburgh in 1828 there’s a killing to be made. Scientific research Hares on apace, the surgeons are crying out for fresh bodies to dissect, and you’d need to be a right Burke not to spot a gap in the market. And it’s only a small step from robbing graves, to helping people into them…

Three versatile actors, supplied with an array of hats, a variety of disguises and an extraordinary collection of accents play the entire cast of this notorious story – living and (soon to be) dead. Music, murder and mayhem combine in Tom Wentworth’s breathless take on this infamous double act, playing fast and loose with the facts to create a full blooded evening’s entertainment which is more hysterical than historical.

A gleeful mash up of history and penny dreadful scandal, fast funny and ever so slightly sick
The Times

Pitch black and wickedly funny
The Stage

Gleefully macabre
Broadway World

Age guidance 12+ Parental discretion advised.

Full performance details

A few more details ...

The New Wolsey Theatre Presents
A new version by Tom Wentworth
Originally created by Jenny Wren Productions and first produced by The Watermill Theatre
Directed by Abigail Pickard Price

In the backstreets of Edinburgh in 1828 there’s a killing to be made. Scientific research Hares on apace, the surgeons are crying out for fresh bodies to dissect, and you’d need to be a right Burke not to spot a gap in the market. And it’s only a small step from robbing graves, to helping people into them…

Three versatile actors, supplied with an array of hats, a variety of disguises and an extraordinary collection of accents play the entire cast of this notorious story – living and (soon to be) dead. Music, murder and mayhem combine in Tom Wentworth’s breathless take on this infamous double act, playing fast and loose with the facts to create a full blooded evening’s entertainment which is more hysterical than historical.

A gleeful mash up of history and penny dreadful scandal, fast funny and ever so slightly sick
The Times

Pitch black and wickedly funny
The Stage

Gleefully macabre
Broadway World

Age guidance 12+ Parental discretion advised.

Full performance details

A few more details ...

The New Wolsey Theatre Presents
A new version by Tom Wentworth
Originally created by Jenny Wren Productions and first produced by The Watermill Theatre
Directed by Abigail Pickard Price

In the backstreets of Edinburgh in 1828 there’s a killing to be made. Scientific research Hares on apace, the surgeons are crying out for fresh bodies to dissect, and you’d need to be a right Burke not to spot a gap in the market. And it’s only a small step from robbing graves, to helping people into them…

Three versatile actors, supplied with an array of hats, a variety of disguises and an extraordinary collection of accents play the entire cast of this notorious story – living and (soon to be) dead. Music, murder and mayhem combine in Tom Wentworth’s breathless take on this infamous double act, playing fast and loose with the facts to create a full blooded evening’s entertainment which is more hysterical than historical.

A gleeful mash up of history and penny dreadful scandal, fast funny and ever so slightly sick
The Times

Pitch black and wickedly funny
The Stage

Gleefully macabre
Broadway World

Age guidance 12+ Parental discretion advised.

Full performance details

A few more details ...

The New Wolsey Theatre Presents
A new version by Tom Wentworth
Originally created by Jenny Wren Productions and first produced by The Watermill Theatre
Directed by Abigail Pickard Price

In the backstreets of Edinburgh in 1828 there’s a killing to be made. Scientific research Hares on apace, the surgeons are crying out for fresh bodies to dissect, and you’d need to be a right Burke not to spot a gap in the market. And it’s only a small step from robbing graves, to helping people into them…

Three versatile actors, supplied with an array of hats, a variety of disguises and an extraordinary collection of accents play the entire cast of this notorious story – living and (soon to be) dead. Music, murder and mayhem combine in Tom Wentworth’s breathless take on this infamous double act, playing fast and loose with the facts to create a full blooded evening’s entertainment which is more hysterical than historical.

A gleeful mash up of history and penny dreadful scandal, fast funny and ever so slightly sick
The Times

Pitch black and wickedly funny
The Stage

Gleefully macabre
Broadway World

Age guidance 12+ Parental discretion advised.

Full performance details

A few more details ...

The New Wolsey Theatre Presents
A new version by Tom Wentworth
Originally created by Jenny Wren Productions and first produced by The Watermill Theatre
Directed by Abigail Pickard Price

In the backstreets of Edinburgh in 1828 there’s a killing to be made. Scientific research Hares on apace, the surgeons are crying out for fresh bodies to dissect, and you’d need to be a right Burke not to spot a gap in the market. And it’s only a small step from robbing graves, to helping people into them…

Three versatile actors, supplied with an array of hats, a variety of disguises and an extraordinary collection of accents play the entire cast of this notorious story – living and (soon to be) dead. Music, murder and mayhem combine in Tom Wentworth’s breathless take on this infamous double act, playing fast and loose with the facts to create a full blooded evening’s entertainment which is more hysterical than historical.

A gleeful mash up of history and penny dreadful scandal, fast funny and ever so slightly sick
The Times

Pitch black and wickedly funny
The Stage

Gleefully macabre
Broadway World

Age guidance 12+ Parental discretion advised.

Full performance details

A few more details ...

The New Wolsey Theatre Presents
A new version by Tom Wentworth
Originally created by Jenny Wren Productions and first produced by The Watermill Theatre
Directed by Abigail Pickard Price

In the backstreets of Edinburgh in 1828 there’s a killing to be made. Scientific research Hares on apace, the surgeons are crying out for fresh bodies to dissect, and you’d need to be a right Burke not to spot a gap in the market. And it’s only a small step from robbing graves, to helping people into them…

Three versatile actors, supplied with an array of hats, a variety of disguises and an extraordinary collection of accents play the entire cast of this notorious story – living and (soon to be) dead. Music, murder and mayhem combine in Tom Wentworth’s breathless take on this infamous double act, playing fast and loose with the facts to create a full blooded evening’s entertainment which is more hysterical than historical.

A gleeful mash up of history and penny dreadful scandal, fast funny and ever so slightly sick
The Times

Pitch black and wickedly funny
The Stage

Gleefully macabre
Broadway World

Age guidance 12+ Parental discretion advised.

Full performance details

A few more details ...

The New Wolsey Theatre Presents
A new version by Tom Wentworth
Originally created by Jenny Wren Productions and first produced by The Watermill Theatre
Directed by Abigail Pickard Price

In the backstreets of Edinburgh in 1828 there’s a killing to be made. Scientific research Hares on apace, the surgeons are crying out for fresh bodies to dissect, and you’d need to be a right Burke not to spot a gap in the market. And it’s only a small step from robbing graves, to helping people into them…

Three versatile actors, supplied with an array of hats, a variety of disguises and an extraordinary collection of accents play the entire cast of this notorious story – living and (soon to be) dead. Music, murder and mayhem combine in Tom Wentworth’s breathless take on this infamous double act, playing fast and loose with the facts to create a full blooded evening’s entertainment which is more hysterical than historical.

A gleeful mash up of history and penny dreadful scandal, fast funny and ever so slightly sick
The Times

Pitch black and wickedly funny
The Stage

Gleefully macabre
Broadway World

Age guidance 12+ Parental discretion advised.

Full performance details

A few more details ...

The New Wolsey Theatre Presents
A new version by Tom Wentworth
Originally created by Jenny Wren Productions and first produced by The Watermill Theatre
Directed by Abigail Pickard Price

In the backstreets of Edinburgh in 1828 there’s a killing to be made. Scientific research Hares on apace, the surgeons are crying out for fresh bodies to dissect, and you’d need to be a right Burke not to spot a gap in the market. And it’s only a small step from robbing graves, to helping people into them…

Three versatile actors, supplied with an array of hats, a variety of disguises and an extraordinary collection of accents play the entire cast of this notorious story – living and (soon to be) dead. Music, murder and mayhem combine in Tom Wentworth’s breathless take on this infamous double act, playing fast and loose with the facts to create a full blooded evening’s entertainment which is more hysterical than historical.

A gleeful mash up of history and penny dreadful scandal, fast funny and ever so slightly sick
The Times

Pitch black and wickedly funny
The Stage

Gleefully macabre
Broadway World

Age guidance 12+ Parental discretion advised.

Full performance details

A few more details ...

The New Wolsey Theatre Presents
A new version by Tom Wentworth
Originally created by Jenny Wren Productions and first produced by The Watermill Theatre
Directed by Abigail Pickard Price

In the backstreets of Edinburgh in 1828 there’s a killing to be made. Scientific research Hares on apace, the surgeons are crying out for fresh bodies to dissect, and you’d need to be a right Burke not to spot a gap in the market. And it’s only a small step from robbing graves, to helping people into them…

Three versatile actors, supplied with an array of hats, a variety of disguises and an extraordinary collection of accents play the entire cast of this notorious story – living and (soon to be) dead. Music, murder and mayhem combine in Tom Wentworth’s breathless take on this infamous double act, playing fast and loose with the facts to create a full blooded evening’s entertainment which is more hysterical than historical.

A gleeful mash up of history and penny dreadful scandal, fast funny and ever so slightly sick
The Times

Pitch black and wickedly funny
The Stage

Gleefully macabre
Broadway World

Age guidance 12+ Parental discretion advised.

Full performance details

A few more details ...

The New Wolsey Theatre Presents
A new version by Tom Wentworth
Originally created by Jenny Wren Productions and first produced by The Watermill Theatre
Directed by Abigail Pickard Price

In the backstreets of Edinburgh in 1828 there’s a killing to be made. Scientific research Hares on apace, the surgeons are crying out for fresh bodies to dissect, and you’d need to be a right Burke not to spot a gap in the market. And it’s only a small step from robbing graves, to helping people into them…

Three versatile actors, supplied with an array of hats, a variety of disguises and an extraordinary collection of accents play the entire cast of this notorious story – living and (soon to be) dead. Music, murder and mayhem combine in Tom Wentworth’s breathless take on this infamous double act, playing fast and loose with the facts to create a full blooded evening’s entertainment which is more hysterical than historical.

A gleeful mash up of history and penny dreadful scandal, fast funny and ever so slightly sick
The Times

Pitch black and wickedly funny
The Stage

Gleefully macabre
Broadway World

Age guidance 12+ Parental discretion advised.

Full performance details

A few more details ...

The New Wolsey Theatre Presents
A new version by Tom Wentworth
Originally created by Jenny Wren Productions and first produced by The Watermill Theatre
Directed by Abigail Pickard Price

In the backstreets of Edinburgh in 1828 there’s a killing to be made. Scientific research Hares on apace, the surgeons are crying out for fresh bodies to dissect, and you’d need to be a right Burke not to spot a gap in the market. And it’s only a small step from robbing graves, to helping people into them…

Three versatile actors, supplied with an array of hats, a variety of disguises and an extraordinary collection of accents play the entire cast of this notorious story – living and (soon to be) dead. Music, murder and mayhem combine in Tom Wentworth’s breathless take on this infamous double act, playing fast and loose with the facts to create a full blooded evening’s entertainment which is more hysterical than historical.

A gleeful mash up of history and penny dreadful scandal, fast funny and ever so slightly sick
The Times

Pitch black and wickedly funny
The Stage

Gleefully macabre
Broadway World

Age guidance 12+ Parental discretion advised.

Full performance details